designbriefs
Furniture

Aeron Chair

Don Chadwick and Bill Stumpf made mesh the defining material of Herman Miller's 1994 office chair.

Herman Miller introduced the Aeron in 1994. Designed by Don Chadwick and Bill Stumpf, it replaced conventional upholstery with suspended fabric mesh in the seat and back. Its exposed supporting frame and translucent surfaces give the chair a visibly different construction from a padded executive chair.

Subject
Work
Worth your time?

Selectively. Start with the brief, then study the parts we point at.

What works
    What does not
      Study it if
        Skip it if
          The design analysis1 min read

          A chair organized around mesh

          Herman Miller introduced the Aeron in 1994. Designed by Don Chadwick and Bill Stumpf, it replaced conventional upholstery with suspended fabric mesh in the seat and back. Its exposed supporting frame and translucent surfaces give the chair a visibly different construction from a padded executive chair.

          From prototype to office

          The designers carried ideas forward from an earlier project called the Sarah Chair. Foam and upholstery appeared in prototypes before they chose the mesh called Pellicle. The original Aeron came in three sizes. Later changes included PostureFit support in 2002 and a substantial redesign in 2016, developed with Chadwick after Stumpf’s death.

          What to examine

          The design makes support, ventilation and adjustment useful questions for close examination. Its museum recognition and association with internet startups also invite a second reading: how a working object becomes an office status symbol. Those histories do not establish that one chair suits every body. Compare versions, sizes and adjustment ranges before treating the Aeron as a single unchanging ergonomic solution.

          Same discipline · Furniture4 of 47
          Up next in Design

          Akari Light Sculptures

          · 0:56

          Isamu Noguchi adapted Gifu lantern-making to electric light and sculptural form.

          0:56