designbriefs
1:14in productionCh. 1 · What the work is/ 1:14 · ceiling 15 min
Branding

Bang & Olufsen — The B&O Monogram

A compact signature gives changing audio products a point of continuity.

Bang & Olufsen's B&O monogram is the specific subject of this brief. Beoworld's historical account attributes it to Henning Dahl-Mikkelsen in 1931.

Subject
Work
Worth your time?

Selectively. Start with the brief, then study the parts we point at.

What works
    What does not
      Study it if
        Skip it if
          The design analysis2 min read

          What the work is

          Bang & Olufsen’s B&O monogram is the specific subject of this brief. Beoworld’s historical account attributes it to Henning Dahl-Mikkelsen in 1931.

          According to Beoworld, Dahl-Mikkelsen came to the company himself: in 1931 he contacted Bang & Olufsen and showed them a logo he wanted to sell. Beoworld calls the drawing very typical of its period and in the style known as Bauhaus. It says the company has used the logo since 1931, when it was registered.

          How it was made

          The initials and conjunction are condensed into a small graphic unit. The historical source records the mark’s use on a tonearm and cartridge in 1933, showing its role as an identifier attached to a product.

          Beoworld calls that tone-arm and magnetic cartridge of 1933 the first product to bear the “new” Bang & Olufsen logo. Its account of the designer’s earlier path is brief: after grammar school he spent two years as a painter’s apprentice with a part-time job as an advertising artist.

          What works

          A compact signature can link products whose shapes and technologies change. It gives the manufacturer a recurring presence without requiring the product itself to repeat an old silhouette.

          What does not

          A monogram depends on recognition learned through use. It cannot communicate acoustic performance, and the history of this sign should not be expanded into sole authorship of the company’s entire visual system.

          Beoworld’s page is itself a single account, and it is mostly a biography of the man. It does not describe how the monogram was drawn or what the letterforms were based on, so the relationship between the initials and the conjunction remains something to read off the mark itself.

          What it influenced

          Beoworld documents the logo’s continuity as part of the company’s design history. Its long use is the relevant case here; stories about the designer’s fee or age are unnecessary to understanding the graphic decision.

          What Beoworld does say about the designer’s career is that it lay elsewhere. Dahl-Mikkelsen later moved to Copenhagen to work in an animation studio, and on 3 May 1937 began the comic strip Ferd’nand, a silent strip that after the Second World War achieved international success, especially with Americans. He emigrated to the United States, settled in California and kept drawing the strip until his death in 1982.

          Is it worth your time

          Worth examining on an actual product as well as in isolation. Consider its scale, placement and relationship to the full company name. The sign’s restraint has to work within a changing physical context.

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