designbriefs
1:18in productionCh. 1 · What the work is/ 1:18 · ceiling 15 min
Architecture

Kazuyo Sejima & Ryue Nishizawa — SANAA

A joint practice connects museums, learning spaces and public buildings across different settings.

Kazuyo Sejima and Ryue Nishizawa founded SANAA in Tokyo in 1995. Their collaborative work includes the 21st Century Museum of Contemporary Art in Kanazawa, the New Museum in New York and the Rolex Learning Center in Lausanne.

Subject
Designer
Worth your time?

Selectively. Start with the brief, then study the parts we point at.

What works
    What does not
      Study it if
        Skip it if
          The design analysis1 min read

          What the work is

          Kazuyo Sejima and Ryue Nishizawa founded SANAA in Tokyo in 1995. Their collaborative work includes the 21st Century Museum of Contemporary Art in Kanazawa, the New Museum in New York and the Rolex Learning Center in Lausanne.

          How it was made

          The practice developed commissions across museums, education, retail and public space. Those programmes provide a useful basis for comparison: each project must organise different activities, collections or movements through a building.

          What works

          Studying the partnership through several built works avoids reducing it to one signature image. Compare the Kanazawa museum and the learning centre as different answers to questions of access, circulation and shared space.

          What does not

          The practice’s project list includes proposals as well as completed buildings. An unbuilt scheme cannot supply evidence of actual occupation, and the partners’ separate projects should not automatically be attributed to SANAA.

          What it influenced

          Sejima and Nishizawa received the Pritzker Architecture Prize in 2010, following recognition at the Venice Architecture Biennale in 2004. These awards document the professional reception of their work.

          Is it worth your time

          Worth studying as a collaborative practice. Begin with two completed buildings and examine plans, sections and use together; the comparison is more informative than treating every project as an instance of a single aesthetic label.

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