Adaptation

Scheeren’s work is not theory—it is delivery at scale across Asia’s most demanding cities.

Architecture that refuses to choose between memory and function — it keeps the factory’s bones and carves new life into its floor.

Aulenti didn’t restore the Gare d'Orsay — she edited it like a film reel: cutting ornament, splicing levels, and dialling up light until the building served the art, not its own history.

She made museums uncomfortable on purpose—and proved modernism could be both raw and socially urgent.