video still9:42Eiko IshiokaSurrealism anchored in historical form—not abstraction—gave her authority across Olympics, film, and advertising.
video still9:24Otl AicherAicher’s Olympic system proved pictograms could be both precise tools and shared language — not art, not decoration, but operational infrastructure.
video still0:56Aaron KoblinAaron Koblin's practice connects data visualization with participation and digital media.
video still1:03Aeron ChairDon Chadwick and Bill Stumpf made mesh the defining material of Herman Miller's 1994 office chair.
video still0:56Akari Light SculpturesIsamu Noguchi adapted Gifu lantern-making to electric light and sculptural form.
video still1:00Anthony DunneAnthony Dunne's collaboration with Fiona Raby connects design practice, writing and teaching.